As minhas escolhas e a escolha colectiva do Ípsilon neste link (onde escrevo sobre “The Collective”, de Kim Gordon): Os melhores álbuns de 2024 - Ípsilon | PÚBLICO
Canção do ano: “sol”, Capital da Bulgária
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Outros:
Adjust Brightness (Bilal), Coyote (Tommy Richman), The Force (LL Cool J), RICHAXXHAITIAN (Mach-Hommy), Visions (Norah Jones), G.O.D.'s Network - Reb7rth (Rakim), Man Down (Ice Cube), Rough & Ready (Ruthven), The Lotus Child (Che Noir), And Yet Still (Oddisee), Sounds Like Home (King Kashmere), 3 (Abdullah Ibrahim), Golden Age Of Self Snitching (Revival Reason), Richmond Hill (Marco Polo e Masta Ace), Bullets In The Chamber (Arrested Development), Hello I’m Britti (Britti), GAMMA (Gesaffelstein), Gap Year (Laila), This Ain't the Way You Go Out (Lucy Rose), Here in the Pitch (Jessica Pratt), F.U.N. (Slum Village), Why Lawd (Nxworries), Samurai (Lupe Fiasco), Hamra/Red (Charif Megarbane), Bando Stone & the New World (Childish Gambino), STARFACE (Lava La Rue), Kampire Presents: A Dancefloor in Ndola (A.V.), Delusional (Sibb), Oh My God - That’s So me (Okay Kaya), Resonate (Papooz), INBETWEEZER (Jerry Paper), Charm (Clairo), Unomkhubulwane (Nduduzo Makhathini), This, Is Not That (Apollo Brown & CRIMEAPPLE), The Crossroads (Cordae), Dark Times (Vincent Staples), Most Anything of Value (Sankofa), Planet Pearl (Pearls and Oysters), Thesis (Godfather Don), Shadowboxing (Mavi), Soul Burguer (Ab-Soul), Young-Girl Forever (Sofie Royer), Loosies (Amber Mark)
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